Choose a brand code that no one can mistake for another brand. Tip: Use cards to differentiate by asset type. If your competition goes right, go le . BE DISTINCTIVE1. Use one or few main codes and variate them over other brand asset types. Tip: Use cards to find all asset variations suitable for you. BE CONSISTENT2. Never get rid of your assets. This doesn’t mean you have to be rigid over time—repeat your assets playfully. Tip: Use cards to find an unexpected context for your asset. BE PLAYFUL3. HOW TO GROW A STRONG BRAND OVER TIME BRAND ASSETS INSPIRATION CARDS 39 types of brand codes with examples. Second revised edition loved by marketers and brand managers. PackagingLogo CharacterLogo Advertising Product Thank you for downloading the Brand Assets Inspiration Cards. At Behavio, we are confident this deck will help you create exceptional brand marketing strategies and well-performing campaigns. You might notice that some brand codes are hidden because we don’t want to reveal all of our secrets up front. Do you want to see more? We are more than happy to show you the full thing! You can get the complete deck – either physically or as a PDF – by a ending one of our workshops, where we will show you how to make the most of their potential. You will also try out methods for building functional brand symbols for company growth and much more. CREATE MIND-WINNING ADS Go to www.behavio.app Multiply your ROI using neuroscience-backed research. Upload ideas and ads at any stage of creative process. Find famous campaigns analysed. For free. Boost your ad performance with Behavio – insight platform for creative advertising. BRAND ASSETS INSPIRATION CARDS IN GROUPS INDOOR & OUTDOOR BRAND ASSETS CROSS-MEDIA BRAND ASSETS TEXT BRAND ASSETS VISUAL BRAND ASSETS NON-VISUAL BRAND ASSETS SOCIAL & CULTURAL BRAND ASSETS NOT A BRAND ASSET WORD TAGLINE LANGUAGE 11 PREFIX SUFFIX INITIAL SPECIAL CHARACTER 14 NUMBER 12 STORY HISTORY LEGEND 15 TITLES GROUP MEMBERS 16 COLOR COLOR COMBINATION GRADIENT 17 LOGO 26 GRAPHIC ELEMENT 18 CONTROL ELEMENT FUNCTION ICON INTERACTIVE ITEM BUTTON 21 INFOGRAPHICS 20 TYPEFACE TYPOGRAPHY 22 GRAPHIC PATTERN WALLPAPER BACKGROUND 19 PHOTOGRAPHY PHOTOSTYLE ART DIRECTION 23 ANIMATION SEQUENCE MOTION GRAPHICS JINGLE EDITING 24 ILLUSTRATION ART STYLE 25 SOUND JINGLE MELODY 27 VOICE SPEECH STYLE 28 SCENT FRAGRANCE ODOR 29 TOUCH SURFACE MATERIAL 31 TASTE 30 PACKAGING 46 OBJECT FURNITURE PROP 44 PLACE ORIGIN 7 SETTING ATHMOSPHERE ENVIRONMENT 42 MEANS OF TRANSPORT 45 CLOTHES APPEARANCE 43 GESTURE MOVEMENT BODY LANGUAGE 9 ACTIVITY 38 EVENT 36 RITUAL 37 BEHAVIOR CHARITY DISTRIBUTION COMMUNITY 39 BUILDING MONUMENT INTERIOR 40 FEATURE FUNCTIONALITY METHODOLOGY FACT 10 PRODUCT 6 MESSAGE MEME NICKNAME JOKE 13 SHAPE 5 CHARACTER MASCOT Page 4 COMMON BENEFITS ATTRIBUTES BRAND IMAGE 32 EXPERIENCE TRIP DESTINATION BRAND WORLD 41 FACE CELEBRITY TYPE OF PERSON PROFESSION 8 REASONING 33 VISION MISSION ATTITUDE STATEMENT 34 CLICHÉ 35 CHARACTER · MASCOT 1 3 2 4 CHARACTER MASCOT C R O S S - M E D I A B R A N D A S S E T S 1 Energizer Bunny 2 Bibendum by Michelin 3 Budweiser Clydesdales 4 Phillie Phanatic for Philadelphia Phillies A representative, avatar, or personification of a brand. Their appearance is fixed and shown through the characteristics of performance (voice, gestures). They appear across all media, sometimes physically. Inspiration o en comes from the animal kingdom or original characters assembled from typical brand products. SHAPE A specific shape that is clearly associated with the brand and appears in different media. It takes advantage of the fact that the brain has special centers for the rapid recognition of shapes. In memory, shapes are stored separately, even from colors within the same image. SHAPE 1 3 2 4 1 Triangle for Toblerone 2 Mask of BMW cars 3 Round triangle Grant’s Whisky 4 Pringles chips C R O S S - M E D I A B R A N D A S S E T S PLACE · ORIGIN 1 IKEA from Sweden 2 L’Oréal Paris 3 Swiss Army knife Victorinox 4 Beefeater London Gin 1 3 2 4 PLACE ORIGIN Specific location: country, region, city, island, cave. The brand can thus appropriate the properties a ributed to this place. It is definitely not enough to state Made in Germany, it must be a consciously constructed symbol that is used in the logo, on the packaging and in communication. It usually takes on several typical symbols for a given location. C R O S S - M E D I A B R A N D A S S E T S I'm lovin' it Tall Grande Venti Priceless Size matters not. WORD · TAGLINE · LANGUAGE 4 Yodish language (Star Wars) 1 McDonald’s tagline 2 The end of a Mastercard message 3 Drink sizes in Starbucks T E X T B R A N D A S S E T S Short form: tagline, slogan, claim, phrase, specific words or word combination. Longer form: distinctive way of speaking or writing, which can be distinguished from other brands by using jargon, specific tonality or language stylisation. WORD TAGLINE LANGUAGE 1 3 2 4 NUMBER Not only numbers, but also verbal expressions of numbers. They can be based on the history of the product, the number of ingredients, technical parameters, the year of establishment, the usual price, or they can be “answer to life, the universe, and everything”. T E X T B R A N D A S S E T S NUMBER 1 Chanel 2 James Bond 3 Fortune Magazine 4 Heinz Ketchup 007 57 Varieties No. 5 List of 500 Companies 1 3 2 4 PREFIX SUFFIX INITIAL SPECIAL CHARACTER Parts of brand names that indicate a group of products. Sometimes a single le er is enough and we are still able to identify a specific manufacturer. The exact definition of capitalization is essential. T E X T B R A N D A S S E T S PREFIX · SUFFIX · INITIAL · SPECIAL CHARACTER 1 Nestlé, Nescafé, Nespresso, Nesquik, Nestea 2 McDonald’s, McCheese, McCafé, McDelivery 3 Apple: iPhone, iPad, iMac, iTunes, iCloud 4 (RED) Project to support HIV/AIDS treatment Nes- Mc( )i- 1 3 2 4 COLOR · COLOR COMBINATION · GRADIENT COLOR COLOR COMBINATION GRADIENT Exact shade of color, combination of colors or color gradients. However, it is not enough to have a colorful logo. If you want a specific color as your symbol, it needs to appear in your entire communication and your products. Even colors can be registered as a trademark for a given category. V I S U A L B R A N D A S S E T S 1 Instagram gradient 2 Burger King colors 3 Red Louboutin soles 4 Robin’s Egg Blue by Tiffany 1 3 2 4 GRAPHIC ELEMENT 1 Adidas Three Stripes 2 Coca-Cola Ribbon 3 Jack Daniel’s frames 4 Layouts of Disney+ ads GRAPHIC ELEMENT V I S U A L B R A N D A S S E T S Logo substitute: it is not appropriate to use a logo everywhere, but by using its characteristic parts, you can get a new graphic element as a separate and recognizable symbol. Other elements: What other graphic elements naturally relate to your products and brand? Seals, stamps, awards, certifications, codes, stripes, frames, advertising layout? Think about whether they could also be made into another distinctive graphic element. 1 3 2 4 TYPEFACE TYPOGRAPHY The vast majority of communication is text-based, so font design and the way text is used are also brand symbols. They have an impact on the comfort of reading and can significantly differentiate a brand from others. You can have a custom-made font, or own an existing one to the extent that others cannot even use it. V I S U A L B R A N D A S S E T S TYPEFACE · TYPOGRAPHY 1 Vogue 2 Twitter 3 Mercedes-Benz 4 Nike 1 3 2 4 Classic Luxurious Comfort Car ILLUSTRATION ART STYLE Illustrations are a symbol of a brand if they have a truly unmistakable look. This usually requires connecting a specific distinctive style of an illustrator with the brand. V I S U A L B R A N D A S S E T S ILLUSTRATION · ART STYLE 1 Red Bull 2 Ben & Jerry’s 3 Simpsons 4 Where’s Waldo 1 3 2 4 LOGO Logos are probably the most commonly used brand symbol. It is definitely necessary to have a precisely defined visual form of your logo. But not all brands have to have a logo as their strongest symbol as it o en makes more sense to look at other categories. V I S U A L B R A N D A S S E T S LOGO 1 Abstract symbol Nike 2 Wordmark Google 3 Monogram General Electric 4 Pictorial mark Major League Baseball 1 3 2 4 SOUND JINGLE MELODY Jingles, hymns, songs, nursery rhymes, or simply a sound that is strange but distinct. What sound could symbolize you? Does one of your products, operations, or locations produce a unique sound that could become a symbol? N O N - V I S U A L B R A N D A S S E T S SOUND · JINGLE · MELODY 1 T-Mobile’s audio logo 2 Skype ringtone 3 Lion roar in the MGM opening logo 4 ESPN Monday Night Football Theme G G T-Mobile 1 3 2 4 TASTE 1 Meat balls in IKEA 2 Burning sensation of Tabasco 3 Oreo cookies in various products 4 Pumpkin Spice Latte by Starbucks TASTE Taste symbols are natural in food, beverages, or hospitality categories. For other categories, they can for example be associated with the brand’s place of origin, as you can actually build a taste symbol whenever there is an option for people to eat. N O N - V I S U A L B R A N D A S S E T S 1 3 2 4 High-Quality Fast BeautifulCheap It’s a paradox—in order for customers to buy you, they have to remember your brand as high-quality, fast, cheap... But those who have unique symbols for the given properties will build the strongest associations. Those who just generally say that they are of good quality will get lost in the noise of thousands of similar ones. In specific situations, straight-forward repetition of a clear competitive advantage may work for you, but you find yourself in constant danger of being outbid at any time by someone with bigger budget or a strong symbol. N O T A B R A N D A S S E T COMMON BENEFITS ATTRIBUTES BRAND IMAGE COMMON BENEFITS · ATTRIBUTES · BRAND IMAGE We offer high quality because We are fast We are cheap and therefore It is beautiful thanks to REASONING REASONING Rational arguments are poorly remembered and don’t strengthen the brand. N O T A B R A N D A S S E T Our vision: Our mission: Our position: Our values: VISION · MISSION · ATTITUDE · STATEMENT N O T A B R A N D A S S E T VISION MISSION ATTITUDE STATEMENT It is very useful to clarify unspoken values in writing within a team. But be careful—as long as they are general words or long phrases, don’t expect them to significantly improve the relationship of customers and employees to your brand. Here, too, everything needs to be transformed into simple symbols, unique to your brand. Try to get inspired card by card and figure out which symbols best describe your values and vision. More than... Original InnovativeIconic CLICHÉ CLICHÉ N O T A B R A N D A S S E T Don’t use anything that someone else could say as well. People remember a brand only when they associate unique symbols with it. Using clichés repeated hundreds of times in communication means throwing money out the window. EVENT Competitions, lo eries, sports matches, cultural events, international days, annual publication of interesting statistics or perhaps joint creation (hackathons and workshops) and many others. Just be careful—more marathons will no longer distinguish your brand. You can try to come up with something completely original, or get inspired in areas that other brands have not yet used. S O C I A L & C U LT U R A L B R A N D A S S E T S EVENT 1 Macy’s Parade 2 McDonald’s Birthday Party 3 Keynote by Apple 4 Spotify Wrapped (year-to-date listening roundup) 1 3 2 4 RITUAL A ritual associated with the consumption or use of a product, a group or team activity. Try to go through a timeline of usual customer or employee activities and pick out places that could be considered ritualistic. S O C I A L & C U LT U R A L B R A N D A S S E T S RITUAL 1 How to eat Oreo 2 Put a slice of lime into the Corona bottle 3 Apple unboxing 4 Before the start of an All Blacks rugby match Twist Lick Dunk 1 3 2 4 OBJECT FURNITURE PROP A distinctive object that is not your product in itself, but is still closely related to your brand. Trophies, gi items, equipment, artifacts, or props that clearly evoke your brand. I N D O O R & O U T D O O R B R A N D A S S E T S 1 Oscar Trophy 2 Friends Central Perk couch 3 Nescafé red mug 4 Exclusive Pirelli Calendar OBJECT · FURNITURE · PROP 1 3 2 4 MEANS OF TRANSPORT Means of transport in the service of the brand. It is different from the ones we normally see. It can be used in the normal transport network, as a banner, an advertising motif or a prominent part of a roadshow. You can just stick a logo on it, but you can also go completely custom-designed. I N D O O R & O U T D O O R B R A N D A S S E T S MEANS OF TRANSPORT 1 Red Bull Car 2 Coca-Cola Christmas Truck 3 Goodyear Blimp 4 UPS Delivery Truck 1 3 2 4 PACKAGING You can recognize a good symbolic packaging on the shelf from afar even with squinted eyes by its silhoue e or distinctive graphic elements. But the uniqueness can also lie in the material or the method of unpacking. I N D O O R & O U T D O O R B R A N D A S S E T S PACKAGING 1 Coca-Cola bottle 2 McDonald’s Happy Meal 3 Chanel No. 5 4 Packaging by Apple 1 3 2 4