C 2019

The Role of the Piano in E. L. Doctorow’s The March

GAJDA, Marek

Basic information

Original name

The Role of the Piano in E. L. Doctorow’s The March

Authors

GAJDA, Marek (203 Czech Republic, guarantor, belonging to the institution)

Edition

1. vyd. Opava, Text Analysis and Interpretation/ Textanalyse und -Interpretation, p. 63-76, 14 pp. 2019

Publisher

Slezská Univerzita v Opavě

Other information

Language

English

Type of outcome

Kapitola resp. kapitoly v odborné knize

Field of Study

60206 Specific literatures

Country of publisher

Czech Republic

Confidentiality degree

není předmětem státního či obchodního tajemství

Publication form

printed version "print"

RIV identification code

RIV/47813059:19240/19:A0000506

Organization unit

Faculty of Philosophy and Science in Opava

ISBN

978-80-7510-353-6

Keywords in English

E. L. Doctorow; The March; piano; historical novel

Tags

Tags

Reviewed
Změněno: 12/3/2020 10:45, doc. PhDr. Michaela Weiss, Ph.D.

Abstract

V originále

This paper explores the role of piano music in E. L. Doctorow’s novel The March (2005), with a focus on selected scenes in which this sort of music occurs. It examines the emotions aroused in the protagonists of the scenes in question as well as the atmosphere it creates or underscores, and considers its significance in the book with regard to the symbolic meaning it represents. It also investigates the extent to which music affects the development of the story. Special attention is paid to the piano from the historical viewpoint.