2025
Breaking from the Cinderella Complex – Modern Young Adult Retellings in Cinder and Cinderella is Dead
GRIGARKOVÁ, MarkétaBasic information
Original name
Breaking from the Cinderella Complex – Modern Young Adult Retellings in Cinder and Cinderella is Dead
Authors
GRIGARKOVÁ, Markéta
Edition
1. vyd. Opava, Contemporary Approaches to Text Analysis / Moderne Herangehensweisen an die Textanalyse, p. 57-76, 20 pp. 2025
Publisher
Slezská univerzita v Opavě
Other information
Language
English
Type of outcome
Chapter(s) of a specialized book
Field of Study
60206 Specific literatures
Country of publisher
Czech Republic
Confidentiality degree
is not subject to a state or trade secret
Publication form
printed version "print"
Marked to be transferred to RIV
Yes
RIV identification code
RIV/47813059:19240/25:A0001598
Organization unit
Faculty of Philosophy and Science in Opava
ISBN
978-80-7510-619-3
Keywords in English
Cinderella; Cinderella Complex; Cinderella Effect; Cinderella Is Dead; Cinder; fairy tale retellings; female agency; gender roles; identity; patriarchy; young adult literature
Tags
Tags
International impact, Reviewed
Changed: 13/1/2026 17:44, Mgr. Veronika Nogolová, PhD.
Abstract
In the original language
This paper examines how Marissa Meyer’s Cinder and Kalynn Bayron’s Cinderella Is Dead rewrite the traditional Cinderella story to challenge gender roles and the so-called Cinderella complex. Meyer presents a futuristic, self-sufficient heroine who reclaims free will in a world that devalues her. Meanwhile, Bayron offers a bold critique of heteronormativity and patriarchal control through a queer Black protagonist who actively resists oppressive systems. Both novels reject the idea that a woman’s worth lies in beauty or marriage, and instead promote autonomy, empowerment, and resistance for young adult readers.