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    2019

    1. WEISS, Michaela. Beyond Time and Continents: Irena Klepfisz’s Vision of Poland, America and the Space Between. Iudaica Russica. 2019, vol. 1, No 2, p. 75-83. ISSN 2657-8352.
    2. GRABOVSKÁ, Monika. Current Spoken Poetry on Youtube. In Gabriela Rykalová, Michaela Weiss. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská Univerzita v Opavě, 2019, p. 77-106. ISBN 978-80-7510-353-6.
    3. RYKALOVÁ, Gabriela. Die Sprache der Weinkenner und ihre verschiedenen Aspekte. In Fachkommunikation im Wandel II. 2019.
    4. ŠMALCOVÁ, Markéta. Es war einmal…Eine korpusbasierte Textanalyse. (Once upon a time…a corpus-based text analysis.). In Rykalová, Gabriela / Weiss, Michaela. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská univerzita v Opavě, 2019, p. 23-44. ISBN 978-80-7510-353-6.
    5. BROŽOVIČOVÁ, Barbora. Fächerübergreifende Themen in den Lehrwerken für DaF. Beschreibung der Vorbereitungsphase einer bevorstehenden Analyse. (Cross-Curricular Topics in German Language Textbooks. Description of the preparatory phase of subsequent analysis.). In Rykalová, Gabriela / Weiss, Michaela. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská univerzita v Opavě, 2019, p. 155-173. ISBN 978-80-7510-353-6.
    6. RYKALOVÁ, Gabriela. In jedem vollen Glase Wein … Emotionen und persuasive Mittel in der Sprache über den Wein und rundum den Wein. In Emotionen in Sprache und Sprechen – Linguistische Treffen in Wroclaw VII. 2019.
    7. RYKALOVÁ, Gabriela. Okkasionell gebildete Partizipialadjektive als Stilmittel in belletristischen Texten. (Occasionally created participle adjectives as a means of creating in fiction texts.). In Rykalová, Gabriela / Weiss, Michaela. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská univerzita v Opavě, 2019, p. 9-21. ISBN 978-80-7510-353-6.
    8. WEISS, Michaela. Return of True Romance in Jeanette Winterson’s Stone Gods. In Soňa Šnircová, Slávka Tomaščíková. Postmillennial Trends in Anglophone Literatures, Cultures and Media. 1st ed. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019, p. 37-51. ISBN 978-1-5275-2709-6.
    9. ADAMOVÁ, Diana. Television Adaptation as the Interpretation of Vampire Fiction. In Michaela Weiss, Gabriela Rykalová. Text Analysis and Interpretation/Textanalyse und -Interpretation. 1st ed. Opava: Slezská univerzita v Opavě, 2019, p. 47-61. ISBN 978-80-7510-353-6.
    10. RYKALOVÁ, Gabriela and Michaela WEISS. Textanalysis and Interpretation / Textanalyse und –interpretation. (Textanalysis and Interpretation). 1st ed. Opava: Slezská univerzita v Opavě, 2019, 179 pp. ISBN 978-80-7510-353-6.
    11. WEISS, Michaela. The Motif of Prison in Margaret Atwood’s The Heart Goes Last. In Hradec Králové Anglophone Conference. 2019.
    12. GAJDA, Marek. The Role of the Piano in E. L. Doctorow’s The March. In Gabriela Rykalová, Michaela Weiss. Text Analysis and Interpretation/ Textanalyse und -Interpretation. 1st ed. Opava: Slezská Univerzita v Opavě, 2019, p. 63-76. ISBN 978-80-7510-353-6.
    13. JEDLIČKA, Daniel. Towards the Definition of Jazz Poetry. In Gabriela Rykalová, Michaela Weiss. Text Analysis and Interpretation/ Textanalyse und -Interpretation. 1st ed. Opava: Slezská Univerzita v Opavě, 2019, p. 107-117. ISBN 978-80-7510-353-6.
    14. WEISS, Michaela. Truthiness, Collectivity, and Overlapping Subjectivities: Margaret Atwood’s Take on Current Metamodern Trends in The Heart Goes Last. SKASE Journal of Literary and Cultural Studies. 2019, vol. 1, No 2, p. 11-20. ISSN 2644-5506.
    15. WEISS, Michaela. Truthiness, Collectivity, and Overlapping Subjectivities: Margaret Atwood’s Take on Current Metamodern Trends in The Heart Goes Last. In The Postmillennial Sensibility in Anglophone Literatures, Cultures and Media II Conference. 2019.
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