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WEISS, Michaela. Beyond Time and Continents: Irena Klepfisz’s Vision of Poland, America and the Space Between. Iudaica Russica. 2019, vol. 1, No 2, p. 75-83. ISSN 2657-8352.
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GRABOVSKÁ, Monika. Current Spoken Poetry on Youtube. In Gabriela Rykalová, Michaela Weiss. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská Univerzita v Opavě, 2019, p. 77-106. ISBN 978-80-7510-353-6.
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RYKALOVÁ, Gabriela. Die Sprache der Weinkenner und ihre verschiedenen Aspekte. In Fachkommunikation im Wandel II. 2019.
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ŠMALCOVÁ, Markéta. Es war einmal…Eine korpusbasierte Textanalyse. (Once upon a time…a corpus-based text analysis.). In Rykalová, Gabriela / Weiss, Michaela. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská univerzita v Opavě, 2019, p. 23-44. ISBN 978-80-7510-353-6.
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BROŽOVIČOVÁ, Barbora. Fächerübergreifende Themen in den Lehrwerken für DaF. Beschreibung der Vorbereitungsphase einer bevorstehenden Analyse. (Cross-Curricular Topics in German Language Textbooks. Description of the preparatory phase of subsequent analysis.). In Rykalová, Gabriela / Weiss, Michaela. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská univerzita v Opavě, 2019, p. 155-173. ISBN 978-80-7510-353-6.
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RYKALOVÁ, Gabriela. In jedem vollen Glase Wein … Emotionen und persuasive Mittel in der Sprache über den Wein und rundum den Wein. In Emotionen in Sprache und Sprechen – Linguistische Treffen in Wroclaw VII. 2019.
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RYKALOVÁ, Gabriela. Okkasionell gebildete Partizipialadjektive als Stilmittel in belletristischen Texten. (Occasionally created participle adjectives as a means of creating in fiction texts.). In Rykalová, Gabriela / Weiss, Michaela. Text Analysis and Interpretation/ Textanalyse und -Interpretation. Opava: Slezská univerzita v Opavě, 2019, p. 9-21. ISBN 978-80-7510-353-6.
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WEISS, Michaela. Return of True Romance in Jeanette Winterson’s Stone Gods. In Soňa Šnircová, Slávka Tomaščíková. Postmillennial Trends in Anglophone Literatures, Cultures and Media. 1st ed. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019, p. 37-51. ISBN 978-1-5275-2709-6.
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ADAMOVÁ, Diana. Television Adaptation as the Interpretation of Vampire Fiction. In Michaela Weiss, Gabriela Rykalová. Text Analysis and Interpretation/Textanalyse und -Interpretation. 1st ed. Opava: Slezská univerzita v Opavě, 2019, p. 47-61. ISBN 978-80-7510-353-6.
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Textanalysis and Interpretation / Textanalyse und –interpretation. (Textanalysis and Interpretation)RYKALOVÁ, Gabriela and Michaela WEISS. Textanalysis and Interpretation / Textanalyse und –interpretation. (Textanalysis and Interpretation). 1st ed. Opava: Slezská univerzita v Opavě, 2019, 179 pp. ISBN 978-80-7510-353-6.
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WEISS, Michaela. The Motif of Prison in Margaret Atwood’s The Heart Goes Last. In Hradec Králové Anglophone Conference. 2019.
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GAJDA, Marek. The Role of the Piano in E. L. Doctorow’s The March. In Gabriela Rykalová, Michaela Weiss. Text Analysis and Interpretation/ Textanalyse und -Interpretation. 1st ed. Opava: Slezská Univerzita v Opavě, 2019, p. 63-76. ISBN 978-80-7510-353-6.
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JEDLIČKA, Daniel. Towards the Definition of Jazz Poetry. In Gabriela Rykalová, Michaela Weiss. Text Analysis and Interpretation/ Textanalyse und -Interpretation. 1st ed. Opava: Slezská Univerzita v Opavě, 2019, p. 107-117. ISBN 978-80-7510-353-6.
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WEISS, Michaela. Truthiness, Collectivity, and Overlapping Subjectivities: Margaret Atwood’s Take on Current Metamodern Trends in The Heart Goes Last. SKASE Journal of Literary and Cultural Studies. 2019, vol. 1, No 2, p. 11-20. ISSN 2644-5506.
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WEISS, Michaela. Truthiness, Collectivity, and Overlapping Subjectivities: Margaret Atwood’s Take on Current Metamodern Trends in The Heart Goes Last. In The Postmillennial Sensibility in Anglophone Literatures, Cultures and Media II Conference. 2019.
2019
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