UBKKDBK045 Literature in Intermediality Perspective II

Faculty of Philosophy and Science in Opava
Summer 2025
Extent and Intensity
0/0/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Pavla Bergmannová (lecturer)
PhDr. Ondřej Haničák (lecturer)
doc. PhDr. Libor Martinek, Ph.D. (lecturer)
Mgr. Pavla Bergmannová (seminar tutor)
PhDr. Ondřej Haničák (seminar tutor)
doc. PhDr. Libor Martinek, Ph.D. (seminar tutor)
Guaranteed by
doc. PhDr. Libor Martinek, Ph.D.
Institute of The Czech Language and Library Science – Faculty of Philosophy and Science in Opava
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
The course follows on from the subject Literature in an intermedia perspective I and introduces literature in an intermedia perspective in blocks that are successively devoted to issues of modern fine art, modern music and film.
Syllabus
  • 1. Fine art of the 19th century and literature – fictional treatment of biographies of famous artists, the origin, development and importance of bibliophilia, book collecting and the development of ex-libris, literary creation and preservation of monuments in the 19th century
  • 2. Fine art of the 20th century, transposition of motifs from the literary sphere, programmatic texts initiating the emergence of art movements, literary salons and their influence on art culture, the development of art criticism, the relationship between literary and architectural creation, an outline of individual trends and movements (Art Nouveau, Expressionism, Cubism, Futurism, Dadaism, Abstract Expressionism and Lyrical Abstraction)
  • 3. The relationship between music and literature in modern classical music
  • 4. The relationship between literature and music in world and Czech popular music
  • 5. Music in literature. Introduction
  • 6. Music in literature. Basic problems
  • 7. The relationship between literature and film. Movie Speech Vs. the language of literature
  • 8. What is a film adaptation of a literary work? Models of adaptation
  • 9. Phases and aspects of adaptation of a literary work
  • 10. Film adaptation according to literary genres (prose, drama, poetry)
  • 11. On the problems of Czech literature in film I. (until 1960)
  • 12. On the problems of Czech literature in film I. (until 1960)
  • 13. Repetition of selected problems – music, visual arts and film in the era of modernity and postmodernity
Literature
    required literature
  • LAHODA, V. et al. Dějiny českého výtvarného umění 1890–1938, IV/1–2. Praha: Odeon, 1998.
  • PEČMAN, R. (ed.) Hudba a literatura. Frýdek-Místek: Okresní vlastivědné muzeum, 1983.
  • SMOLKA, J. et al. Dějiny hudby. Praha: TOGGA, 2001.
  • HUTCHEON, L. Teória adaptácie. Brno, JAMU, 2012. info
  • BORDWELL, D. - THOMPSON, K. Umění filmu. V Praze: Nakladatelství Akademie múzických umění, 2011. info
  • CHATMAN, S. Příběh a diskurs. Narativní struktura v literatuře a filmu. Brno, 2008. info
  • MRAVCOVÁ, M. Od Oidipa k Francouzově milence. Praha, NFA, 2001. info
    recommended literature
  • FUKAČ, J. O mnohoznačnosti vztahu hudba–slovo. In Vokální hudba národů. Brno 1976, s. 55–73.
  • MACUROVÁ, A. / MAREŠ, P. Text a komunikace: jazyk v literárním díle a ve filmu. Praha: Karolinum, 1993.
  • BROWN, C. S. Music and literature. Hanover, London, University Press od New England, 1987.
  • MATHAUSER, Z. K intersémiotické problematice uměleckých druhů. In Uměnovědné studie V. Praha: ÚTDU ČSAV, 1984, s. 67–85.
  • NOVÁK, R. Hudba jako inspirace poezie. Ostrava: Tilia, 2005.
  • ADORNO, T. W. Úvod do sociologie hudby. Praha: Filosofia, 2015.
  • MICHELS, U. Encyklopedický atlas hudby. Praha: Nakladatelství Lidové noviny, 2000.
  • LÉBL, V. O mezních druzích umění. Nové cesty hudby. Praha 1960.
  • AUJEZDSKÝ, P. Od knížky k televiznímu filmu. Brno: Janáčkova akademie múzických umění v Brně, 2009.
  • JUNGMANN, S. Hudba přítelkyně. Brno: Schneider, 1997.
  • PIJOAN, J. Dějiny umění 1–10. Praha: Odeon, 1982–1987.
Teaching methods
Presentation, screening of relevant audio-visual recordings.
Assessment methods
1. written seminar paper. 2. Completion of the final exam over the period discussed.
Language of instruction
Czech
Further comments (probably available only in Czech)
Information on the extent and intensity of the course: 8p+8s/sem.
The course is also listed under the following terms Summer 2023, Summer 2024.
  • Enrolment Statistics (Summer 2025, recent)
  • Permalink: https://is.slu.cz/course/fpf/summer2025/UBKKDBK045