UHVM0069 Art and society of the early modern period I.

Faculty of Philosophy and Science in Opava
Winter 2016
Extent and Intensity
2/0/0. 6 credit(s). Type of Completion: z (credit).
Teacher(s)
PhDr. Ing. Jaromír Olšovský, Ph.D. (lecturer)
Guaranteed by
PhDr. Ing. Jaromír Olšovský, Ph.D.
Institute of Historical Sciences – Faculty of Philosophy and Science in Opava
Prerequisites
UHVM0061 Practice
The fundamental knowledge of European and Czech history of the Early Modern period and European and Czech art history of the Early Modern period.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
Lecture series focuses on monitoring the relationship between transformations of European society and culture from the 15th century to the French Revolution (1789). The basis of modern European culture (i.e., classical, Christian, Jewish tradition) is in this broad frame transformed into new value spectrum and in particular manifestations of artistic culture and lifestyle changes, modernization trends in culture and the arts in particular are monitored in their relation to contemporary political, economic and social development: a work of art works like painting company, respectively as an expression of their aspirations, interests and needs, as well as a mirror, which reflects a variety of crisis that Europe has undergone (religious conflicts, wars, economic disaster, plague, etc.). The society's commitment to the arts and culture depends on the political framework of the feudal society, its erosion and changes in the second half of the 18th century and period artistic culture - transformed in their claims - acting as an integral part of social transformation: a radical change of political power is complementary to the inner spiritual revolution in the minds of intellectuals and artists. The topic of the course is based mainly on the example of the artistic and social development in the Czech lands in the Early Modern period.
Syllabus
  • 1. Art and Society of late Renaissance and Mannerism in Bohemia, Moravia and Silesia.
    2. Intellectual and spiritual currents of European Renaissance and Mannerism and their reflection in contemporary art production.
    3. Early European Baroque and the Bohemian lands
    4. The transformation of the image of the world - the constitution of early modern science in the 17th century and its reflection in contemporary art.
    5. Baroque Art and Society in Bohemia and Moravia.
    6. Baroque Art and Society in Silesia.
    7. Baroque art as a medium of confessional content.
    8. Art of the late Baroque and early Classicism.
    9. Art and the transition from feudal society to pre-civic society
    10. Art and the late Enlightenment on the example of Austrian Silesia
    11. The French Revolution and the art.
    12. Flowers of late Baroque and influence of early Classicism in Austrian Silesia.
Literature
    recommended literature
  • Ivo Hlobil - Eduard Petrů. Humanismus a raná renesance na Moravě. Academia, Praha 1992. info
  • Ivo Krsek - Zdeněk Kudělka - Miloš Stehlík - Josef Válka. Umění baroka na Moravě a ve Slezsku, Academia, Praha 1996. info
  • Frances Yatesová. Giordano Bruno a hermetická tradice. Praha, 2009. info
  • Paul Oskar Kristeller. Osm filozofů italské renesance. Praha, 2007. info
  • Mateusz Kapustka - Jan Klípa - Andrzej Koziel - Piotr Oszczanows. Slezsko. Perla v české koruně. Historie-kultura-umění, eds. Praha, 2007. info
  • David Irwin. Neoclassicism. Phaidon, 2006. info
  • Peter Burke. Variety kulturních dějin. Praha, 2006. info
  • Petr Vorel. Velké dějiny zemí koruny české. Sv. VII., 1526 - 1618. Praha, Paseka, 2005. info
  • Alexandre Koyré. Od uzavřeného světa k nekonečnému vesmíru. Praha, 2004. info
  • Ewa Chojecka. Sztuka Górnego Śląska od średniowiecza do końca XX wieku. Katowice, 2004. info
  • Jiří Kroupa, Umělecká úloha, objednavatelé a styl na Moravě doby. V zrcadle stínů 1670-1790. Morava v době baroka. ed. Jiří KROUPA, Somogy éditions d'art, 2003. info
  • Richard van Dülmen. Historická antropologie. Vývoj - problémy - úkoly. Praha, 2002. info
  • Frances A. Yates. Rozenkruciánské osvícenství. Praha, 2000. info
  • Giorgio Vasari. Životy nejvýznamnějších malířů, sochařů a architektů I. - II. Praha, 1998. info
  • Rolf Toman (ed.). Umění italské renesance. Architektura - sochařství - malířství - kresba. Praha, 1996. info
  • Pavel Preiss. Malířství pozdního baroka a rokoka v Čechách, in: Dějiny českého výtvarného umění. Od počátku renesance do závěru baroka, II/2. Praha, 1989. info
  • Ivo Krsek. Malířství vrcholného baroka na Moravě, in: Dějiny českého výtvarného umění II/2. Praha, 1989. info
  • Ivo Kořán. Renesanční sochařství v Čechách a na Moravě, in: Dějiny českého výtvarného umění. Od počátku renesance do závěru baroka, II/1. Praha, 1989. info
  • Oldřich J. Blažíček. Sochařství vrcholného baroka v Čechách, in: Dějiny českého výtvarného umění II/2. Praha, 1989. info
  • Tadeusz Chrzanowski - Marian Kornecki. Sztuka Śląska Opolskiego. Od średniowiecza do końca wieku XIX. Kraków, 1974. info
  • Michael Kitson. Barok a rokoko. Praha, 1972. info
Teaching methods
Lecturing
Assessment methods
Grade
Language of instruction
Czech
Further comments (probably available only in Czech)
The course can also be completed outside the examination period.
Teacher's information
The successful completion of the test and oral exam.
The course is also listed under the following terms Summer 2008, Summer 2009, Winter 2010, Winter 2011, Winter 2012, Winter 2013, Winter 2014, Winter 2015, Winter 2017, Winter 2018, Winter 2019, Winter 2020, Winter 2021, Winter 2022.
  • Enrolment Statistics (Winter 2016, recent)
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