UBK10059 Performance and happening

Faculty of Philosophy and Science in Opava
Winter 2018
Extent and Intensity
0/2/0. 3 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Tomáš Kubart, Ph.D. (seminar tutor)
Mgr. Pavla Pinkasová (seminar tutor)
Guaranteed by
Mgr. Hasan Zahirović, Ph.D.
Institute of The Czech Language and Library Science – Faculty of Philosophy and Science in Opava
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives (in Czech)
Kurz seznámí studenta s dějinami akčních umění a předpoklady pro vznik uměleckých forem happeningu a performance.
Syllabus (in Czech)
  • 1.Úvod.
    2. Action painting a koláž.
    3. Počátky happeningu (50. léta).
    4. Americké avantgardní divadlo.
    5. Happening v 60.letech v U.S.A. a západní Evropě.
    6. Československý happening.
    7.Japonský happening.
    8. Happening a Pop Art, Nouveau Réalisme a konceptualismus.
    9. Teorie - český a německý strukturalismus a angloamerická estetika 20.století.
    10. Performance Art.
    11. Performance Art a body Art.
    12. Performance Art a site specific.
    13. Závěr.
Literature
    required literature
  • KERSHAW, B. Research methods in theatre and performance. Edinburgh: Edinburgh University Press, 2011. ISBN 978-074-8641-581. info
  • ALLAIN, P. a J. HARVIE. The Routledge companion to theatre and performance. New York: Routledge, 2005. ISBN 978-041-5257-213. info
  • GOLDBERG, R. L. Performance Art: From Futurism to the Present. London: Thames&Hudson, 2001. info
  • KAYE, N. Postmodernism and performance. London: The Macmillan Press LTD, 1994. ISBN 0-333-51918-3. info
  • CHALUPECKÝ, J. Na hranicích umění: několik příběhů. Praha: Prostor, 1990. ISBN 80-85190-06-0. info
  • HENRI, A. Environments and happenings. London: Thames&Hudson, 1974. info
  • KAPROW, A. How to make a happening. New York: Maccarone Gallery, 1966. info
  • EVANS, M. Tokyo Letter: Theatrical Happenings. 1966. info
  • HANSEN, A. Primer of Happenings and Time/space art. New York: Something Else Press, 1965. info
    recommended literature
  • REZEK, P. Tělo, věc a skutečnost v umění šededátých a sedmdesátých let. Praha: Ztichlá klika, 2010. info
  • SCHECHNER, R. Performancia: teórie, praktiky, rituály. Bratislava: Divadelný ústav, 2009. ISBN 978-808-9369-119. info
  • MORGANOVÁ, P. Akční umění. Olomouc: Votobia, 1999. ISBN 80-7198-351-9. info
  • ZHOŘ, I. Akční tvorba. Olomouc: Pedagogická fakulta Univerzity Palackéh, 1991. info
  • WICK, R. Zur Soziologie Intermediärer unstpraxis: Happening - Fluxus - Aktionen. Köln: Philosophischen Fakultät Universität zu Kö, 1975. info
  • SOHM, H.; SZEEMAN, H. Happenings & fluxus. Koln: Kolnischer Kunstverein, 1970. info
  • VOSTELL, W. Happenings und Pop Art. Reinbeck: Rowohl, 1965. info
Teaching methods
Interactive lecture
Lecture supplemented with a discussion
Lecture with a video analysis
One-to-One tutorial
Assessment methods
The analysis of student 's performance
Didactic test
Seminar work
Language of instruction
Czech
Further comments (probably available only in Czech)
The course can also be completed outside the examination period.
The course is also listed under the following terms Summer 2008, Summer 2009, Winter 2015, Winter 2016, Winter 2017, Winter 2019.
  • Enrolment Statistics (Winter 2018, recent)
  • Permalink: https://is.slu.cz/course/fpf/winter2018/UBK10059