FPF:UBKKDBP044 Workshop in Screenwriting - Course Information
UBKKDBP044 Workshop in Screenwriting
Faculty of Philosophy and Science in OpavaWinter 2022
- Extent and Intensity
- 0/2/0. 3 credit(s). Type of Completion: z (credit).
- Teacher(s)
- Mgr. Rudolf Merkner (seminar tutor)
- Guaranteed by
- Mgr. Rudolf Merkner
Institute of The Czech Language and Library Science – Faculty of Philosophy and Science in Opava - Timetable of Seminar Groups
- UBKKDBP044/A: Tue 18. 10. 13:55–18:50 KINO, Wed 19. 10. 13:55–18:50 KINO, Mon 12. 12. 13:55–18:50 KINO, Tue 13. 12. 13:55–18:50 KINO, R. Merkner
- Prerequisites
- The purpose of the screenwriting workshop is the individual cooperation of the student with the teacher, in which the emphasis is on personality, authorial style and methodology of writing process. Part of the course are own screenwriting exercises.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Cultural Dramaturgy in the theatre practice (programme FPF, KDDP)
- Course objectives
- The aim of the course is for students not only to master screenwriting practice and procedures, but also to get acquainted with the theory of screenwriting and to be able to distinguish, for example, between motif and theme.
- Learning outcomes
- After completing the course, the student should be able to create their own screenplay in both film and radio.
- Syllabus
- 1. Brief description of the original idea and its stylization into a premise, examination of its viability (myths, legends, rumors, fairy tales). Topic = message
- 2. Formation of the original idea, emphasis on the communicability of the idea
- 3. Credibility, analysis of the story, dramatization of the story
- 4. Conflict - building, gradation, climax, fading
- 5. Creation of breakpoints
- 6. Basic elements of dramatization
- 7. Map of internal events
- 8. Map of external events
- 9. Expression by image - visibility of the invisible
- 10. Sound - sound dramaturgy
- 11. Motive; leitmotif, motivic lines
- 12. Point. Conclusion. Closing all themes.
- 13. Narrative structure - traditional three-act structure. Anchoring screenwriting principles
- Literature
- required literature
- ARONSONOVÁ, L. Scénář pro 21. století, AMU Praha, 2014.
- CARRIERE, J.-C. Vyprávět příběh, Praha, 2014.
- LABÍK, L. Dramaturgia strihovej skladby (horizontálna a vertikálna štruktúra filmového príbehu). Zlín: VeRBum, 2013.
- MAKOVIČKA, D. Televizní příběh, DIFA JAMU, Brno, 1996.
- FIELD, S. Jak napsat dobrý scénář, Praha, 2007.
- recommended literature
- http://fondkinematografie.cz/assets/media/studie%20komplet.pdf
- CAMPBELL, J. Tisíc tváří hrdiny, Portál, Praha, 2000.
- Teaching methods
- Written exercises, personal consultations with the teacher, correspondence tasks
- Assessment methods
- Oral and written examination of knowledge (screenwriting methods, procedures and tools - on specific screenwriting exercises to verify the mastery of screenwriting software, submission of parts of scenarios, exercises and etudes). Attendance at seminars (75%).
- Language of instruction
- Czech
- Further Comments
- Study Materials
- Enrolment Statistics (Winter 2022, recent)
- Permalink: https://is.slu.cz/course/fpf/winter2022/UBKKDBP044