MPBPOU04 Introduction to film edition structure 1

Institute of physics in Opava
summer 2025
Extent and Intensity
1/2/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Jan Mudra (lecturer)
Mgr. Jaromír Vašek (lecturer)
Mgr. Jan Mudra (seminar tutor)
Mgr. Jaromír Vašek (seminar tutor)
Guaranteed by
Mgr. Jan Mudra
Institute of physics in Opava
Timetable
each odd Thursday 13:05–14:40 202
  • Timetable of Seminar Groups:
MPBPOU04/A: each odd Thursday 14:45–18:00 202, J. Mudra, J. Vašek
Prerequisites (in Czech)
(FAKULTA(FU) && TYP_STUDIA(B))
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
The aim of this course is to carry out practical exercises in editing post-production of audiovisual works in connection with the course Fundamentals of Camera Production II. The processing of own filmed image material according to the rules of editing composition is the main content of this course. Students will learn the concepts of compositional syntax, the importance of sound composition, and the importance of the musical component of an audiovisual work to the final artistic effect of the work. The course includes an introduction to the methods of image finalization of the work - color grading, DCP mastering, export for TV Broadcasting and also the presentation of the resulting work at a public screening. Content - Analytical recording and synthetic composition of an audiovisual work. - Style and technical means to achieve it, method of communication. - Narrative and fictional world constructed by the viewer. - Plot, storyline, narration - the basic pillars in the construction of a film work. - Non-fictional models of documentary film, its modes. - Genre division of an audiovisual work, its observance and possibilities of combining stylistic elements. - Overview of methods of finalizing AV work, digital projection, TV broadcasting, internet.
Literature
    required literature
  • VALUŠIAK, Josef. Základy střihové skladby. Čtvrté rozšířené vydání. Praha: Akademie múzických umění v Praze (Nakladatelství AMU), 2012. ISBN 978-80-7331-230-5.
    recommended literature
  • KORDA, Jakub. Úvod do studia televize 1: studijní text pro kombinované studium. Olomouc: Univerzita Palackého v Olomouci, 2014. ISBN 978-80-244-4212-9.
  • NICHOLS, Bill. Úvod do dokumentárního filmu. Praha: Akademie múzických umění v Praze, 2010. ISBN 978-80-7331-181-0.
  • THOMPSON, Kristin a David BORDWELL. Dějiny filmu: přehled světové kinematografie. 2., opr. vyd. Přeložil Helena BENDOVÁ. V Praze: Akademie múzických umění, 2011. ISBN 978-80-7331-207-7.
  • KOKEŠ, Radomír D. Rozbor filmu. Brno: Filozofická fakulta Masarykovy univerzity, 2015. ISBN 978-80-210-7756-0.
Language of instruction
Czech
Further Comments
Study Materials
The course can also be completed outside the examination period.
The course is taught annually.
  • Enrolment Statistics (recent)
  • Permalink: https://is.slu.cz/course/fu/summer2025/MPBPOU04