The chapter maps the diverse traces that the poet and philosopher Egon Bondy left on film. First, the author presents Bondy’s relationship to the film, subsequently, she focuses on documentary films (either from the area of the Czech underground from the period before 1989, and also from official, especially television work realized after 1989), which tries to capture the unique personality of Egon Bondy in many ways. Attention is also focused on the titles of the live and animated film genres, for which Bondy’s work or his personality was a source of inspiration. The study tries to bring an answer to the question of what image the cinema created about Egon Bondy.