FPF:UHVMN504 Iconography II - Course Information
UHVMN504 Iconography II
Faculty of Philosophy and Science in OpavaSummer 2021
- Extent and Intensity
- 0/2/0. 3 credit(s). Type of Completion: z (credit).
- Teacher(s)
- PhDr. Ing. Jaromír Olšovský, Ph.D. (seminar tutor)
- Guaranteed by
- PhDr. Marian Hochel, Ph.D.
Institute of Historical Sciences – Faculty of Philosophy and Science in Opava - Timetable of Seminar Groups
- UHVMN504/A: Tue 14:45–16:20 M11, J. Olšovský
- Prerequisites
- The fundamental knowledge of terms from art history, history of Christianity and the Antic mythology.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- History - Museology (programme FPF, N7105 HiVe)
- Course objectives
- A series of lectures in the summer semester continues by the introduction to the profane iconography, especially to iconography from the late Renaissance and Mannerism until the late 18th century. Special attention is paid to specific iconographic phenomena of the late Renaissance as Emblematic, Renaissance hieroglyphic, using of allegories and personifications, the use of ancient mythology and ancient history in the Renaissance and Baroque iconography. It will also take account of the specific themes in the art of the 19th and 20th centuries. Final lectures would be dedicated to new approaches and iconographical trends applied in the interpretation of works of art (psychoanalytic approach, sociological, aesthetic receptively) as well as to contemporary theories of critical importance, including iconology, which is dealing with some non-critical approaches and dangers of over-interpretation of works of art.
- Syllabus
- 1. Introduction to the profane iconography: basic literature, manuals, dictionaries and sources of the Renaissance, Mannerist and Baroque iconography and themes
2. Cyclic and numerological topics I: Seven Liberal Arts (Septem artes liberales), Vices and Virtues, Seven Deadly Sins
3. Cyclical and numerological themes II: The Four Temperaments, Four Seasons, Five Elements, the problem of hidden symbolism
4. Renaissance and Mannerist profane symbolism, Renaissance emblematic, Renaissance hieroglyphic, Renaissance allegory and personification, mythological themes, historical painting (istoria)
5. Case iconographic interpretation: Leonardo's Homo bene figurata and themes of macrocosm and microcosm, Sandro Botticelli and his Birth of Venus, Albrecht Dürer and his Melancholy; Titian's Apollo and Marsyas in Kroměříž
6. Iconography and themes of Early and High Baroque
7. Iconography of the late Baroque and Enlightenment period, iconography and symbolism of Free Masonry, symbols and aesthetics of sentimentalism
8. Themes and iconography in 19th century art
9. Themes and iconography of modern art in the 20th century
10. Other approaches to iconological interpretation: Erwin Panofsky and his iconological analysis of Gothic cathedral, Francis A. Yates and her research areas of analysis of Rosicrucian Movement (The Rosenkcrucian Enlightenment), Art of Memory, Giordano Bruno and the Hermetic Tradition
11. Current approaches to iconological interpretation: Michael Baxandall´s sociological approach to art and its meaning; psychoanalytic attempt to interpret the artwork - a case of Sigmund Freud and his interpretation of Leonard´s St Anne and Meyer Schapiro´s critic, Michael Foucault and his interpretation of Las Meninas of Velazquez and a debate about his interpretation
12. Critical iconology
- 1. Introduction to the profane iconography: basic literature, manuals, dictionaries and sources of the Renaissance, Mannerist and Baroque iconography and themes
- Literature
- recommended literature
- Pavel Preiss. Panoráma manýrismu. Kapitoly o umění a kultuře 16. století. Praha, 1974. info
- Kol. autorů. Slovník antické kultury (kol. autorů). Praha, 1974. info
- Guy de Tervarent. Attributs et symboles dans l´art profane 1450-1600. Dictionnaire d´un langage perdu. Geneve, 1958. info
- A. Pigler. Barockthemen, Eine Auswahl von Verzeichnissen zur Ikonographie des 17. Und 18. Jahrhunderts, I-II. Budapest, 1956. info
- Teaching methods
- Lecturing
Presentation of seminar work - Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course can also be completed outside the examination period.
- Teacher's information
- * Active participation in the seminar
* the ability to work independently with literature
* writing a seminar paper (iconographic description and analysis of the selected work of art)
* passing the test of practical iconography, including the identification of themes selected examples of works of art (painting, sculpture)
- Enrolment Statistics (Summer 2021, recent)
- Permalink: https://is.slu.cz/course/fpf/summer2021/UHVMN504